Covid-19 Films Entertainment Film Film Business Film Critique Film Review Kenyan Cinema

Gatarashaine: Where two hearts beat

Gatarashaine poster, with Edith Kanini and Collins ‘Ayrosh’ Irungu

If you grew up in the village, then you are not new to stories where hotblooded youngsters overcame all odds to be with those they loved. Your grandparents and parents have probably regaled you in tales of illicit love where their folks were against their union, and they took extreme measures to ensure the youngsters don’t ‘bring shame’ to their families. In Kikuyu, that is direct translation for ‘Kureehe thoni.’ And in the same spirit, the youngsters took extreme measures to ensure their love wasn’t snuffed out. Love was brewed in thickets, in abandoned shacks, by river beds, behind rusty old trucks, in caves, on trees, under trees, against trees, even inside trees! Gatarashaine is a short film which premiered earlier today, where good old love encounters the wrath of Baba (pronounced Faafa!) but as they say, love always triumphs!

Martin Kigondu, writer and director, Gatarashaine

Prevail Arts Company Kenya is better known for their exploits on stage, where they have a proven track record of producing quality theatre shows, and have used their Prevail Beeyond Entertainment channel on YouTube to test their film mettle. The film, written, directed and produced by thespian Martin Kigondu, and shot and edited by Jackson Kang’ethe, follows two love birds who can’t keep their hands off each other but the girl’s dad always seems to catch them in the act. Their pursuit of intimacy at the girl’s home ends up in comic chaos as Baba arrives home to catch them in the act, with the randy youngster having to orchestrate a nervy escape, though he doesn’t escape a heavy slap in the back from the irate father. Their quest for intimacy leads them to the bridge near their home, where they reminisce how they met.

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Posted by Prevail Arts Company KENYA on Tuesday, August 18, 2020

Njeri, the lass, played by Kanini Edith, was on a matatu where the lad, played by Collins ‘Ayrosh’ Irungu, was the tout and couldn’t pay her fare, calling her dad, played by Stephen Kimani, to bail her out. One thank led to another and now they can’t stop thanking each other! Daredevil Njeri suggests they get down on the bridge, to which the lad agrees. But alas, the dad alights from a matatu, and as he is walking home near the bridge, spots a familiar scarf, and a quick inspection reveals the two youngsters canoodling in the nearby bush, with Njeri’s neck the subject of intense inspection by the lad’s tongue! As expected, the dad goes after the lad, clearly upset by the fact they chose to do it, of all places, Gatarashaine!

Behind the scenes image

Technically, one of the film’s stand out features is its simple and natural approach to production design. The village set up adds to the care-free and happy go lucky attitude of these two lovebirds, with the natural vegetation by the bridge creating the perfect backdrop for this naughty village romance. The bold choice of shots contributes to the emotional tone of this film, as well as the catchy score, which has been done by the lead actor. The editor should be commended for weaving together all these elements to tell a beautiful story that leaves you wondering what next for this randy duo. Irungu, Kanini and Kimani should also be lauded for giving life to the script on screen, and the use of Kikuyu and Sheng interchangeably also does no harm in endearing the film to its target audience. Most parents will no doubt squirm when watching this with their teenage kids, but will undoubtedly be smiling inwardly as they remember their own wild exploits at that age.

YouTube link to the film

The film’s lead actors are clearly young adults, but one can’t help but wonder what is happening now amongst school going children in the villages during this enforced long holidays. Various media outlets have reported an alarming number of teenage pregnancies during this Covid-19 period, and you have to wonder how the thousands of idle teens in the country are coping, what with raging hormones and that rebellious streak synonymous with this age group. The community leaders should probably find ways to arrest this situation, because seeing the young adults go at it like bunnies in the village will definitely not help matters. That being said, Gatarashaine is a beautiful piece of work that will get you pumped as you imagine the possibilities!

Entertainment Film Film Business Film Critique Film Review Kenyan Cinema

Of Pillows and Intimate Talks

Muhugu Theuri, playing Aster in Pillow Talk, and the film’s poster

In the arts scene, this year’s Valentine weekend will best be remembered by the gliteratti of Kenyan cinema assembling at Anga Imax in the Nairobi CBD to witness the premiere of Pillow Talk, a film directed by award winning producer (pun intended!) Alice Wangui who was making her directorial debut, and produced by Old Gold Films. The film was written by Charles Chanchori, he of the ‘Around Nairobi in one Night’ fame, and introduces two talented actors who deliver the story on screen, Muhugu Theuri as Aster and Emmanuel Mugo as Osoro. This is a welcome deviation as new talent is finding its way onto Kenyan cinemas, after years of audiences berating film directors and producers for using the same old faces for different films and television shows.

Emmanuel Mugo, playing Osoro in Pillow Talk

As you may have guessed from the title, the film follows a man and a woman who wake up naked next to each other trying to figure out how they ended up together in bed. In this era of KFCB’s prefect role in the film industry, the film takes a bold step in its visual elements by featuring a lot of skin by the two, with risqué undercurrents and sexual innuendos in their dialogue and actions. It then delves into the more salient issues like complicated parental and intimate relationships, religiosity, betrayal and societal obligations.

Pillow Talk trailer

Osoro is a photographer who has an overwhelming sense of duty; consistently sending his ailing mom money for medication, but can’t go home because he feels he has disappointed his family because of his life choices. Aster is a seemingly lost girl seeking validation, and needs to be loved after falling out of favor with her mom due to religious differences. She is also disoriented after her ex-boyfriend shared her nudes on social media. The film follows these two wandering souls who are brought together by their one-night stand. It’s ironic that while Aster is running away from her nudes episode, she ends up in a photographer’s bed! And Osoro insists that for her to get over this phase of her life, she has to accept his offer of taking her nudes! The situation is best captured by a quick flashback to Casablanca (1942) and that famous quote ‘Of all the Gin Joints in the World, she walks into mine.’

Behind the Scenes

From a technical angle, the team did a great job, much as it’s a one-set film. The actors’ chemistry is clear for all to see, and is a key element in keeping viewers glued to the screen. The sultry Aster is especially efficient in bringing out the introspective Osoro from his cocoon of uncertainty. The creative camera angles and shots helped heighten some of the emotions, and one wonders whether the film would have delved into the murky, mysterious but oh-so-sinfully-delish Hollywood approach to intimate scenes, were it not for good ole Uncle Zeke. Alice, who previously produced the award winning Angles of My Face, is also an accomplished critic, and did a good job polishing her own work because there’s little to write about the shortcomings of the film, which is also evidence of a thorough pre-production process, with a well thought out design contributing to the visual appeal of the film. However, one does wonder, is there anyone who has had such an in-depth discussion and shared life insights after a one-night stand with a stranger? If you are in the one-night stand business, this writer is curious to know whether this is a normal occurrence.

Alice Wangui, Pillow Talk director and producer

The Kenyan social scene (or should we say Nairobi?) is very well captured in this one hour fifteen minute flick as it explores various socio-cultural issues. Millennials have questioned the role of religion as it is increasingly viewed as a money-minting and brainwashing exercise after all the exposes on social media, while the reckless sexual behavior amongst the youth with one-night stands being the norm rather than the exception. Young people also seem to suffer from disillusionment following strained relations with their parents who invest a lot in their education and expect much more not putting in mind the current economic situation and new career options available for the youth.

Pillow Talk cast and crew (and fan!) during the premiere

Pillow Talk is a poignant reflection of today’s society, and is a well-crafted piece of art that should resonate with today’s youth and their parents as they navigate the uncertain waters of young adulthood. From a film maker’s perspective, the film once again asserts that Kenyan film makers have mastered the technical elements of film production, and its now time they mastered the storytelling bit as we continue to diversify our stories and bring audiences back to the big screen. Oh, and they also have a page on the IMDB database! How about that?